Lines of Thought. 2019. Czong Institute of Contemporary Art. Gyeonggi-do, South Korea.
Between Two Points Exhibition Catalog. SCENE. Metrospace. Michigan State University. East Lansing, MI. 2016.
site 95. Transforming New York City Street Objects. Catalog. Curated by Kimberly Marrero. July 2014.
Drawing in the Expanded Field. Hatton Gallery. Colorado State University. Fort Collins, CO. Catalog Essay by Deanna Petheridge and Howard Riley. 2010.
Transparency Suite. In Form and Content. Northern Illinois University. NIU Art Museum. November 2018-February 2019.
Expanded Contemporary Drawing Practices Blog Press: Expanded by Nicole Lenzi.. Drawing Tube, The Wall. (Blog by Hiraku Suzuki) Tokyo, Japan. 2017.
Expanded Drawing Practices Blog Press:. Mullen Artist Gains International Acclaim. Echo Net Daily. Australia. 1/26/2017.
Expanded Drawing Practices.Blog Press: Artist Emerges onto the
World Stage. Northern Star. Australia. 1/26/2017.
BY MAURA JUDKIS
POSTED: OCTOBER 22, 2008
Some artists maintain a distinct separation between sculpture and drawing, but for Nicole Lenzi, it’s all shades of gray. Lenzi’s “drawings”—the components of “Stop and Go,” a gallery-sized installation of wood, tile and other readymade objects—are characterized by their shadows, which she carefully records in various positions with shades of gray paint. Working with the uneven floor at Flashpoint, the artist’s three-dimensional drawings have quirky, unexpected touches—discovering that the gallery had no baseboards, for instance, she added her own, and then echoed their forms in her drawings. If the installation looks unfinished in parts, that’s because it is—the artist will continue to add shadow and contour to it, following different pathways throughout the gallery space for the duration of the exhibition. STOP AND GO RUNS TUESDAY–SATURDAY, NOON TO 6 P.M., TO NOV. 15 AT FLASHPOINT, 916 G ST. NW, FREE. (202) 315-1305.
City Paper Review. Maura Judkis. Washington D.C. 2009.