Books and Catalogues

Lines of Thought. 2019. Czong Institute of Contemporary Art. Gyeonggi-do, South Korea.

Lines of Thought.(Catalog).Czong Institute for Contemporary Art. Seoul, South Korea. 2018.

Time and Space.(Catalog).Czong Institute for Contemporary Art. Seoul, South Korea. 2017.

Emulsion 2017. (Catalog). Washington D.C.

Between Two Points Exhibition Catalog. SCENE. Metrospace. Michigan State University. East Lansing, MI. 2016.

Concept:Winter Catalog. Czong Institute for Contemporary Art. Seoul, South Korea. 2016.

Concept.(Catalog) Czong Institute for Contemporary Art. Seoul, South Korea. 2016.

site 95. Transforming New York City Street Objects. Catalog. Curated by Kimberly Marrero. July 2014.

Delaware Art Museum Centennial Catalog. 2012.

site 95 Journal Issue 01. Volume 11. November 2012.

Drawing in the Expanded Field. Hatton Gallery. Colorado State University. Fort Collins, CO. Catalog Essay by Deanna Petheridge and Howard Riley. 2010.

Empirical/Experimental. Manifest Creative Research Center.2006.

The Gallery at Villa Montalvo. Selected Exhibitions from 1996 through 2000/Curated by Theres Rohan. Critical Essay by Mary Hull Webster. 2000.

Articles, Reviews, and Press
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Transparency Suite. In Form and Content. Northern Illinois University. NIU Art Museum. November 2018-February 2019.

Expanded Contemporary Drawing Practices Blog Press: Expanded by Nicole Lenzi.. Drawing Tube, The Wall. (Blog by Hiraku Suzuki) Tokyo, Japan. 2017.

Expanded Drawing Practices Blog Press:. Mullen Artist Gains International Acclaim. Echo Net Daily. Australia. 1/26/2017.

Expanded Drawing Practices.Blog Press: Artist Emerges onto the World Stage. Northern Star. Australia. 1/26/2017.

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Drawing Never Dies. Red Line Art Center. DenverArts.org. July 2016

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Elen Feinberg and Nicole Lenzi. The Arts Club of Wsshington; Dr. Christopher With. 3/1/2013.

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A Big Week for Visual Art. Delaware Today. The Arts Buzz. June 2012.

Nicole Lenzi. Caladen Gallery, Marjorie Kaye. 2012.

Nicole Lenzi. Traversing Dimensions. Caladan Gallery. Cambridge, MA. 2011.

Shifting Gears. THe Washington Post Express. 2009.

City Paper Review. Maura Judkis. Washington D.C. 2009.

TOP STOPS. Washington Post Express. Hannah Kim. 2009.

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Art Beat with Stephanie Kaye. NPR. October 2009.

Fall Arts Critics Picks. Washington Post Express. 2009.

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Sarah Tanguy, MICA Thesis Essay.
ART in Embassies Program, and independent curator. July 2007.

Selected Website Listings
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London Internationall Creative Competition. Honorable Mention. London, England. 2017.

Honorable Mention. London International Creative Competition. London. England.

Suspended Continuum(s), Nicole Lenzi’s site-specific drawing installation brings the entire gallery into play, making wide use of its architectural motifs and gridded flooring. Traditional drawing teams up with three-dimensional elements creating a visual labyrinth that beckons interaction from the viewer, and suggests an activity that could extend forever. Interested in the Taoist principle of Yin-Yang, she seeks complementary interconnections and assigns gender to junctures and forms (hard-edge, for example, corresponds to Yang or male energy and rounded to Yin or female energy). Part improvisation, part calculated, the piece presents moments of obvious balance in contrast to others where the causal link is less easy to discern under layers of activity. Consider the path of a drawn line as it extends from a wooden panel resting on top of the linoleum tiling, and assumes dimensionality, producing actual and drawn shadows. Out of this vertiginous network of found and invented materials and marks, unforeseen harmonies emerge and stir the imagination.
-Sarah Tanguy, MICA Thesis Essay. July 2007.
ART in Embassies Program, and independent curator and critic.

Sarah Tanguy, MICA Thesis Essay.
ART in Embassies Program, and independent curator. July 2007.