Books and Catalogues

Form. Line. Shape. Space. 2020.

Lines of Thought. Czong institute of Contemporary Art. Gimpo, South Korea.

Lines of Thought.(Catalog).Czong Institute for Contemporary Art. Seoul, South Korea. 2018.

Time and Space.(Catalog).Czong Institute for Contemporary Art. Seoul, South Korea. 2017.

Emulsion 2017. (Catalog). Washington D.C.

Between Two Points Exhibition Catalog. SCENE. Metrospace. Michigan State University. East Lansing, MI. 2016.

Concept:Winter Catalog. Czong Institute for Contemporary Art. Seoul, South Korea. 2016.

Concept.(Catalog) Czong Institute for Contemporary Art. Seoul, South Korea. 2016.

site 95. Transforming New York City Street Objects. Catalog. Curated by Kimberly Marrero. July 2014.

Delaware Art Museum Centennial Catalog. 2012.

site 95 Journal Issue 01. Volume 11. November 2012.

Drawing in the Expanded Field. Hatton Gallery. Colorado State University. Fort Collins, CO. Catalog Essay by Deanna Petheridge and Howard Riley. 2010.

Empirical/Experimental. Manifest Creative Research Center.2006.

The Gallery at Villa Montalvo. Selected Exhibitions from 1996 through 2000/Curated by Theres Rohan. Critical Essay by Mary Hull Webster. 2000.

Articles, Reviews, and Press
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Transparency Suite. In Form and Content. Northern Illinois University. NIU Art Museum. November 2018-February 2019.

Expanded Contemporary Drawing Practices Blog Press: Expanded by Nicole Lenzi.. Drawing Tube, The Wall. (Blog by Hiraku Suzuki) Tokyo, Japan. 2017.

Expanded Drawing Practices Blog Press:. Mullen Artist Gains International Acclaim. Echo Net Daily. Australia. 1/26/2017.

Expanded Drawing Practices.Blog Press: Artist Emerges onto the World Stage. Northern Star. Australia. 1/26/2017.

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Drawing Never Dies. Red Line Art Center. DenverArts.org. July 2016

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Elen Feinberg and Nicole Lenzi. The Arts Club of Wsshington; Dr. Christopher With. 3/1/2013.

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A Big Week for Visual Art. Delaware Today. The Arts Buzz. June 2012.

Nicole Lenzi. Caladen Gallery, Marjorie Kaye. 2012.

Nicole Lenzi. Traversing Dimensions. Caladan Gallery. Cambridge, MA. 2011.

Shifting Gears. THe Washington Post Express. 2009.

City Paper Review. Maura Judkis. Washington D.C. 2009.

TOP STOPS. Washington Post Express. Hannah Kim. 2009.

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Art Beat with Stephanie Kaye. NPR. October 2009.

Fall Arts Critics Picks. Washington Post Express. 2009.

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Sarah Tanguy, MICA Thesis Essay.
ART in Embassies Program, and independent curator. July 2007.

Selected Website Listings
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London Internationall Creative Competition. Honorable Mention. London, England. 2017.

Honorable Mention. London International Creative Competition. London. England.

Nicole Lenzi's work could exist anywhere, and could go as far as to dissect a vacuum. The fact that the geometrical constructions exist on the floor one would think is secondary - but actually, the bottom is falling out beneath us. The artist crystallizes environments, breaking apart the space itself in order to reconstruct and understand it. The floor becomes a continuance of the space "above" it; where is the beginning and where is the end? Where does the horizon line exist? In actuality, does it even exist on a cellular level? Or are the components of what we see interspersed, porous in reality? These are questions that come to mind while viewing these sculptural compositions. It would be interesting to see it spread throughout an entire room. -

Nicole Lenzi. Caladen Gallery, Marjorie Kaye. 2012.


All images copyright Nicole Lenzi

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