Books and Catalogues

Form. Line. Shape. Space. 2020.

Lines of Thought. Czong institute of Contemporary Art. Gimpo, South Korea.

Lines of Thought.(Catalog).Czong Institute for Contemporary Art. Seoul, South Korea. 2018.

Time and Space.(Catalog).Czong Institute for Contemporary Art. Seoul, South Korea. 2017.

Emulsion 2017. (Catalog). Washington D.C.

Between Two Points Exhibition Catalog. SCENE. Metrospace. Michigan State University. East Lansing, MI. 2016.

Concept:Winter Catalog. Czong Institute for Contemporary Art. Seoul, South Korea. 2016.

Concept.(Catalog) Czong Institute for Contemporary Art. Seoul, South Korea. 2016.

site 95. Transforming New York City Street Objects. Catalog. Curated by Kimberly Marrero. July 2014.

Delaware Art Museum Centennial Catalog. 2012.

site 95 Journal Issue 01. Volume 11. November 2012.

Drawing in the Expanded Field. Hatton Gallery. Colorado State University. Fort Collins, CO. Catalog Essay by Deanna Petheridge and Howard Riley. 2010.

Empirical/Experimental. Manifest Creative Research Center.2006.

The Gallery at Villa Montalvo. Selected Exhibitions from 1996 through 2000/Curated by Theres Rohan. Critical Essay by Mary Hull Webster. 2000.

Articles, Reviews, and Press
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Transparency Suite. In Form and Content. Northern Illinois University. NIU Art Museum. November 2018-February 2019.

Expanded Contemporary Drawing Practices Blog Press: Expanded by Nicole Lenzi.. Drawing Tube, The Wall. (Blog by Hiraku Suzuki) Tokyo, Japan. 2017.

Expanded Drawing Practices Blog Press:. Mullen Artist Gains International Acclaim. Echo Net Daily. Australia. 1/26/2017.

Expanded Drawing Practices.Blog Press: Artist Emerges onto the World Stage. Northern Star. Australia. 1/26/2017.

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Drawing Never Dies. Red Line Art Center. DenverArts.org. July 2016

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Elen Feinberg and Nicole Lenzi. The Arts Club of Wsshington; Dr. Christopher With. 3/1/2013.

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A Big Week for Visual Art. Delaware Today. The Arts Buzz. June 2012.

Nicole Lenzi. Caladen Gallery, Marjorie Kaye. 2012.

Nicole Lenzi. Traversing Dimensions. Caladan Gallery. Cambridge, MA. 2011.

Shifting Gears. THe Washington Post Express. 2009.

City Paper Review. Maura Judkis. Washington D.C. 2009.

TOP STOPS. Washington Post Express. Hannah Kim. 2009.

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Art Beat with Stephanie Kaye. NPR. October 2009.

Fall Arts Critics Picks. Washington Post Express. 2009.

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Sarah Tanguy, MICA Thesis Essay.
ART in Embassies Program, and independent curator. July 2007.

Selected Website Listings
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London Internationall Creative Competition. Honorable Mention. London, England. 2017.

Honorable Mention. London International Creative Competition. London. England.

BY MAURA JUDKIS
POSTED: OCTOBER 22, 2008
Some artists maintain a distinct separation between sculpture and drawing, but for Nicole Lenzi, it’s all shades of gray. Lenzi’s “drawings”—the components of “Stop and Go,” a gallery-sized installation of wood, tile and other readymade objects—are characterized by their shadows, which she carefully records in various positions with shades of gray paint. Working with the uneven floor at Flashpoint, the artist’s three-dimensional drawings have quirky, unexpected touches—discovering that the gallery had no baseboards, for instance, she added her own, and then echoed their forms in her drawings. If the installation looks unfinished in parts, that’s because it is—the artist will continue to add shadow and contour to it, following different pathways throughout the gallery space for the duration of the exhibition. STOP AND GO RUNS TUESDAY–SATURDAY, NOON TO 6 P.M., TO NOV. 15 AT FLASHPOINT, 916 G ST. NW, FREE. (202) 315-1305.

City Paper Review. Maura Judkis. Washington D.C. 2009.

http://www.washingtoncitypaper.com/arts/article/13036462/nicole-lenzi


All images copyright Nicole Lenzi

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